Structure and content plan
A page list and a plan for what each page must say and do, agreed before any design starts, so nothing is built twice. Clients with content already written skip ahead; those without get a structure to write into.
Web design & development
What you get, how a project runs, what moves the price and what to do first. Everything a prospective client needs before sending an email.
What you get
Every project ends with a live site you own and can run. The pieces below are what that means in practice; anything not needed is simply not quoted.
A page list and a plan for what each page must say and do, agreed before any design starts, so nothing is built twice. Clients with content already written skip ahead; those without get a structure to write into.
Layout, type, colour and visual direction, designed on real content and checked on phones first. Reviewed with you at wireframe and at visual stage, not presented once at the end.
Hand-written code, built to load fast, to work without JavaScript and to be usable with a keyboard or a screen reader, then tested in several browsers and screen sizes before launch.
Titles, descriptions, a sitemap and social preview images on every page, so search engines and people find the new pages and links look right when shared.
Set up on fast static hosting in an account in your name, with your domain, HTTPS, security headers and redirects from any old site in place on day one.
The code, the content and every account are yours, with a written guide to the site and how to change it, and a Lighthouse and accessibility report from the live site. Nothing is locked to the studio: any developer can pick the site up.
How it works
Every stage is handled by the person you emailed. Here is what happens between the first message and launch; step one costs nothing but a few lines.
You send a few lines. If it looks like a fit, the reply proposes a short call to talk through purpose, audience, current site, timing and budget. No brief needed.
After the call you get a written scope with a fixed price, itemised so parts can be dropped or deferred. Nothing starts until you have agreed it.
The page list and content plan come first and are signed off. If writing or photography is needed, it is agreed here, not discovered later. Design follows on real content.
The site is built in code, tested for speed, accessibility and security, and shown to you on a private preview as it comes together.
The site goes live on your domain with redirects and search basics in place. You get the code, the accounts and a guide to making changes.
Who it is for
The studio works best with people who know what their business does and need a website that explains it clearly and makes the next step easy.
A shop, a practice, a trade or a service that needs a site people can find, understand and act on: call, book or ask.
Writers, artists, musicians, makers and small studios who need a home for their work that loads fast, looks like them and does not need a developer for every update.
A product, service or project that needs a first site to explain itself and collect interest, built small so it can change as the idea does.
The studio is not the right fit for a large online shop with hundreds of products, a system with many stakeholders, or a deadline that needs several people working at once. If you are unsure, ask: a short reply saying so is quicker for both sides.
How the studio builds
Four habits, each with a plain reason behind it. The case study below shows what they produced when measured.
A page that appears quickly keeps visitors who would otherwise leave. Sites are designed so the first thing on screen is your words, not a spinner or a slow-loading picture, with as little script as the page can get away with.
Built so that people using a screen reader, a keyboard or a small phone can use the site, and designed to be checked by automated accessibility tests while it is built rather than audited once at the end. That is more customers, not fewer.
Plain, static pages with the security settings set once and carried by every page, and no framework running in the browser. Less to break, less to patch, less to pay for.
Standard code on hosting in your name, with the notes and tests handed over. If you ever want someone else to work on it, they can.
Case study
The only web project the studio can show is its own site, so here it is, with numbers rather than adjectives. If a number has not been measured, it is not stated.
mantastudios.comManta Studios2026
The studio's own website, designed and built by Raymond Saliba in 2026, with the content model, tests and documentation written alongside the pages. Shown because it is the one project whose results can be measured and quoted exactly, and because a client site would get the same approach.
Built withAstro (static output) · TypeScript · Hand-written CSS on design tokens · Cloudflare Pages · Playwright and axe-core
This is the studio's own website and the first entry in its portfolio, which is why the evidence here is measurements rather than testimonials.
What it costs
There is no price list, because two websites with the same page count rarely cost the same. Instead: a short conversation about what the site must do, then a written quote with a fixed price for a defined scope, so the number you agree to is the number you pay.
The quote is itemised. If a part is not worth the money to you, drop it and the price drops with it. The price holds as long as the scope does; if something new comes up during the project, it is quoted separately before any work on it starts, so the invoice matches the paperwork.
The next step is to send a few lines about the site, with a rough budget if you have one. Saying the budget early is useful: it decides what is worth proposing and saves both sides a round of guessing.
Questions
It depends on pages, content readiness and what the site must connect to, so there is no list price. After a short conversation you get a fixed, itemised quote for a defined scope, and parts can be removed to meet a budget.
Timing is agreed in writing with the quote and depends on scope and on how quickly content and feedback arrive. If content arrives late, the launch date moves with it.
No, but it changes the price and the timeline. Structure is planned first either way; if you have no content yet you get a page-by-page outline to write into, and copywriting can be quoted as a separate item.
Yes, if that is in the scope. Options range from a small content editor for the pages you change often, to sending changes to the studio and having them made at a rate stated in writing. The right choice depends on how often the content moves.
You do. The code, the content, the domain and every account are in your name at handover, so nothing about the site depends on the studio staying involved.
Sites are built as static pages and hosted on a modern hosting platform in an account in your name, with any hosting fees paid to the host rather than to the studio. A static site has no server to patch and no plugins to update; changes and new pages are quoted as needed or on an agreed regular basis.
The site is built so it does not depend on one person: plain code, documented, tested and in an account in your name, so any competent developer could continue it. Availability during the project is agreed in writing in the quote.
Web design & development
A few lines on the business, who the site is for and what it must do are enough. Add a link to your current site if there is one, and a budget if you have one. The reply comes from Raymond Saliba, the person who does the work.